{"id":393,"date":"2009-01-01T13:42:00","date_gmt":"2009-01-01T13:42:00","guid":{"rendered":"https:\/\/www.ajaonline.org\/2009\/01\/01\/272\/"},"modified":"2024-08-13T03:46:45","modified_gmt":"2024-08-13T03:46:45","slug":"272","status":"publish","type":"post","link":"https:\/\/ajaonline.org\/article\/272\/","title":{"rendered":"Prolegomenon to the Study of Apulian Red-Figure Pottery"},"content":{"rendered":"<p>There is a tendency in English-language publications to view Apulian red-figure pottery as simply a continuation of Attic red-figure, and this has often obscured important differences between the two. The unfounded assumption that Apulian red-figure vases were made by Greeks for colonial Greeks has diverted attention from the Italic people of Apulia who, in fact, provided the principal markets. Apulian vases are rarely found outside Apulia and it seems likely that many painters knew their markets well and had them specifically in mind when they devised some of the more elaborate mythological scenes. Thus the vases can provide insights into the cultures of the Italic people who obtained them. This article is an attempt to address significant misconceptions about Apulian red-figure and to provide a solid grounding for future studies of this rich and developing field.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>There is a tendency in English-language publications to view Apulian red-figure pottery as simply a continuation of Attic red-figure, and this has often obscured important differences between the two. The unfounded assumption that Apulian red-figure vases were made by Greeks for colonial Greeks has diverted attention from the Italic people of Apulia who, in fact, [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":392,"comment_status":"closed","ping_status":"","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[904],"tags":[2,5,8,15,31,47],"issues":[118],"region":[884],"class_list":["post-393","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-article","tag-pottery","tag-iconography","tag-painting","tag-culturalinteraction","tag-trade","tag-vasepainting","issues-118","region-italy-apulia"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.0 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Prolegomenon to the Study of Apulian Red-Figure Pottery | January 2009 (113.1) | American Journal of Archaeology<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/ajaonline.org\/article\/272\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Prolegomenon to the Study of Apulian Red-Figure Pottery | January 2009 (113.1) | American Journal of Archaeology\" \/>\n<meta property=\"og:description\" content=\"There is a tendency in English-language publications to view Apulian red-figure pottery as simply a continuation of Attic red-figure, and this has often obscured important differences between the two. The unfounded assumption that Apulian red-figure vases were made by Greeks for colonial Greeks has diverted attention from the Italic people of Apulia who, in fact, [&hellip;]\" \/>\n<meta property=\"og:url\" content=\"https:\/\/ajaonline.org\/article\/272\/\" \/>\n<meta property=\"og:site_name\" content=\"American Journal of Archaeology\" \/>\n<meta property=\"article:publisher\" content=\"https:\/\/www.facebook.com\/aja.journal\" \/>\n<meta property=\"article:published_time\" content=\"2009-01-01T13:42:00+00:00\" \/>\n<meta property=\"article:modified_time\" content=\"2024-08-13T03:46:45+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/ajaonline.org\/wp-content\/uploads\/2011\/03\/Carpenter_Fig03_large.gif\" \/>\n\t<meta property=\"og:image:width\" content=\"184\" \/>\n\t<meta property=\"og:image:height\" content=\"350\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/gif\" \/>\n<meta name=\"author\" content=\"website\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:label1\" content=\"Written by\" \/>\n\t<meta name=\"twitter:data1\" content=\"website\" \/>\n\t<meta name=\"twitter:label2\" content=\"Est. reading time\" \/>\n\t<meta name=\"twitter:data2\" content=\"1 minute\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\/\/schema.org\",\"@graph\":[{\"@type\":\"Article\",\"@id\":\"https:\/\/ajaonline.org\/article\/272\/#article\",\"isPartOf\":{\"@id\":\"https:\/\/ajaonline.org\/article\/272\/\"},\"author\":{\"name\":\"website\",\"@id\":\"https:\/\/ajaonline.org\/#\/schema\/person\/f93c211048ad920b94c1e8abdb2053f0\"},\"headline\":\"Prolegomenon to the Study of Apulian Red-Figure Pottery\",\"datePublished\":\"2009-01-01T13:42:00+00:00\",\"dateModified\":\"2024-08-13T03:46:45+00:00\",\"mainEntityOfPage\":{\"@id\":\"https:\/\/ajaonline.org\/article\/272\/\"},\"wordCount\":144,\"publisher\":{\"@id\":\"https:\/\/ajaonline.org\/#organization\"},\"image\":{\"@id\":\"https:\/\/ajaonline.org\/article\/272\/#primaryimage\"},\"thumbnailUrl\":\"https:\/\/ajaonline.org\/wp-content\/uploads\/2011\/03\/Carpenter_Fig03_large.gif\",\"keywords\":[\"Pottery\",\"Iconography\",\"Painting\",\"Cultural Interaction\",\"Trade\",\"Vase Painting\"],\"articleSection\":[\"Article\"],\"inLanguage\":\"en-US\"},{\"@type\":\"WebPage\",\"@id\":\"https:\/\/ajaonline.org\/article\/272\/\",\"url\":\"https:\/\/ajaonline.org\/article\/272\/\",\"name\":\"Prolegomenon to the Study of Apulian Red-Figure Pottery | January 2009 (113.1) | American Journal of Archaeology\",\"isPartOf\":{\"@id\":\"https:\/\/ajaonline.org\/#website\"},\"primaryImageOfPage\":{\"@id\":\"https:\/\/ajaonline.org\/article\/272\/#primaryimage\"},\"image\":{\"@id\":\"https:\/\/ajaonline.org\/article\/272\/#primaryimage\"},\"thumbnailUrl\":\"https:\/\/ajaonline.org\/wp-content\/uploads\/2011\/03\/Carpenter_Fig03_large.gif\",\"datePublished\":\"2009-01-01T13:42:00+00:00\",\"dateModified\":\"2024-08-13T03:46:45+00:00\",\"breadcrumb\":{\"@id\":\"https:\/\/ajaonline.org\/article\/272\/#breadcrumb\"},\"inLanguage\":\"en-US\",\"potentialAction\":[{\"@type\":\"ReadAction\",\"target\":[\"https:\/\/ajaonline.org\/article\/272\/\"]}]},{\"@type\":\"ImageObject\",\"inLanguage\":\"en-US\",\"@id\":\"https:\/\/ajaonline.org\/article\/272\/#primaryimage\",\"url\":\"https:\/\/ajaonline.org\/wp-content\/uploads\/2011\/03\/Carpenter_Fig03_large.gif\",\"contentUrl\":\"https:\/\/ajaonline.org\/wp-content\/uploads\/2011\/03\/Carpenter_Fig03_large.gif\",\"width\":184,\"height\":350,\"caption\":\"Apulian red-figure volute krater from Ceglie del Campo. On the neck, Eros. On the body, a funerary scene showing the statue of a youth with his horse in a naiskos, ca. 340 B.C.E., ht. 124.6 cm. 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