{"id":6682,"date":"1902-01-31T08:47:26","date_gmt":"1902-01-31T08:47:26","guid":{"rendered":"https:\/\/www.ajaonline.org\/issue\/ser191\/"},"modified":"2024-08-13T17:05:21","modified_gmt":"2024-08-13T17:05:21","slug":"ser191","status":"publish","type":"issue","link":"https:\/\/ajaonline.org\/toc\/ser191\/","title":{"rendered":"ser1_9.1"},"content":{"rendered":"

Volume 9 (1894) Index<\/a> (pp. i–viii)<\/p>\n

The Madonnas of Luca Della Robbia<\/a> (pp. 1–25)
\n\tAllan Marquand<\/p>\n

Some Unwarranted Assumptions in Archaeology<\/a> (pp. 26–31)
\n\tHenry W. Haynes<\/p>\n

Byzantine Artists in Italy from the Sixth to the Fifteenth Century<\/a> (pp. 32–52)
\n\tA.L. Frothingham, Jr.<\/p>\n

A Torso from Daphne<\/a> (pp. 53–62)
\n\tRufus B. Richardson<\/p>\n

Correspondence<\/h2>\n

Preliminary Report from Prof. Waldstein on the Excavations at the Argive Heraeum in 1893<\/a> (pp. 63–67)
\n\tCharles Waldstein<\/p>\n

Reviews and Notices of Books<\/h2>\n

Oriental Archaeology<\/h4>\n

The Dawn of Astronomy<\/a> (pp. 68–70)
\n\tBy J. Norman Lockyer
\n\tReviewed by Allan Marquand<\/p>\n

Kypros, the Bible and Homer<\/a> (pp. 70–75)
\n\tBy Max Ohnefasch-Richter
\n\tReviewed by Allan Marquand<\/p>\n

The Mummy<\/a> (pp. 75–76)
\n\tBy E.A. Wallis Budge
\n\tReviewed by A.M.<\/p>\n

Die hetitischen Inschriften, ein Versuch ihrer Entzifferung<\/a> (p. 76)
\n\tBy F.E. Peiser
\n\tReviewed by P. Rost<\/p>\n

Typical Examples of Persian and Oriental Ceramic Art<\/a> (pp. 76–77)
\n\tBy Henry Wallis<\/p>\n

Classical Archaeology<\/h4>\n

Griechische Kunstgeschichte. Erstes Buch. Die Anfänge und die älteste decorative Kunst<\/a> (pp. 77–83)
\n\tby Heinrich Brunn
\n\tReviewed by A.C. Merriam<\/p>\n

La Troie d’Homère<\/a> (pp. 83–84)
\n\tBy Charles Normand
\n\tReviewed by Wilhelm Dörpfeld<\/p>\n

Die mykenische Lokalsage von den Gräbern Agamemnons und der seinen im Zusammenhange der griechischen Sagenentwickelung<\/a> (p. 84)
\n\tBy Christian Belger
\n\tReviewed by W. Gurlitt<\/p>\n

Die Gottheit der Griechen als Naturmacht<\/a> (pp. 84–85)
\n\tBy Josef Murr
\n\tReviewed by W.H. Roscher<\/p>\n

Zeitrechnung der Griechen und Römer<\/a> (p. 85)
\n\tBy G.F. Unger and I.V. Müller
\n\tReviewed by Wilhelm Soltan<\/p>\n

Lakonische Kulte by Sam Wide; L’Art Antique. 2e Partie: La Grèce-Rome<\/a> (pp. 85–86)
\n\tBy Gaston Cougny
\n\tReviewed by Fritz Baumgarten<\/p>\n

Handbuch der Klass. Alterthumswissenschaft, IV, 1 Abt. 2 Hälfte: Die griechischen Privataltertümer, by Iwan V. Müller; Die griechischen Kriegsaltertümer, by Adolf Bauer<\/a> (p. 86)
\n\tReviewed by Carl Sittl<\/p>\n

Handbuch der Griechischen Staatsalterthümer, by Gustav Gilbert; Histoire des Ordres dans l’Architecture, by Adrien Joigny; La Vénus de Milo, by Felix Ravaisson<\/a> (pp. 86–87)
\n\tReviewed by A. Furtwängler<\/p>\n

Geschichte der Griechischen Plastik<\/a> (pp. 88–89)
\n\tBy J. Overbeck
\n\tReviewed by Arthur Schneider and Sittl<\/p>\n

Die Darstellung des Auges in der antiken Plastik<\/a> (p. 89)
\n\tBy Hugo Magnus
\n\tReviewed by A. Kalkmann<\/p>\n

Die Metopen der altgriechischen Tempel<\/a> (p. 89)
\n\tBy W. Malmberg
\n\tReviewed by Malmberg<\/p>\n

La Collection Barracco<\/a> (pp. 89–90)
\n\tBy Fr. Bruckmann, Giovanni Barracco, and W. Helbig
\n\tReviewed by Franz Studniczka<\/p>\n

Die hellenistischen Reliefbilder<\/a> (p. 90)
\n\tBy Theodor Schreiber
\n\tReviewed by Alf Brueckner<\/p>\n

Ueber das Bildniss Alexanders des Grossen<\/a> (p. 90)
\n\tBy Friedrich Koepp
\n\tReviewed by Fritz Baumgarten<\/p>\n

Triton und die Tritonen in der Litteratur und Kunst der Griechen und Römer<\/a> (p. 91)
\n\tBy F.R. Dressler
\n\tReviewed by W.H. Roscher<\/p>\n

Aus den Königlichen Museen zu Berlin by Aegyptische Urkunden<\/a> (p. 91)
\n\tReviewed by Gradenwitz<\/p>\n

Die römischen Kastelle in Würtemburg<\/a> (pp. 91–92)
\n\tBy Konrad Miller
\n\tReviewed by George Wolff<\/p>\n

Mediaeval Archaeology<\/h4>\n

La Chapelle Saint-Laurent, à Grenoble<\/a> (p. 92)
\n\tBy Marcel Reymond and Charles Giraud
\n\tReviewed by L.G.<\/p>\n

La Normandie Monumentale et Pittoresque; Die Bau- und Kunstdenkmäler im Kreise Herzogthum Lauenburg<\/a> (pp. 92–93)
\n\tBy Haupt and Weysser
\n\tReviewed by Doris Schnittger-Schleswigin<\/p>\n

Die Kunstdenkmäler des Königreiches Bayern vom 2 bis zum Ende des 18 Jahrhunderts by Bezold and Riehl; Die italienische Plastik (Handbücher der königlichen Museen zu Berlin), by W. Bode<\/a> (pp. 93–94)
\n\tReviewed by H.J. Anitschek<\/p>\n

Kirchen-Möbel des Mittelalters und der Neuzeit<\/a> (p. 94)
\n\tBy Arthur Pabst<\/p>\n

The Renaissance<\/h4>\n

Donatello. Eine evolutionistische Untersuchung auf kunsthistorischem Gebiet<\/a> (p. 94)
\n\tBy Willy Pastor
\n\tReviewed by H. Wölfflin<\/p>\n

La Peinture au Musée du Louvre, by Georges Lafenestre and Eugène Richtenberger; Le Peinture espagnole, by Paul Lefort<\/a> (pp. 94–95)
\n\tReviewed by L.G.<\/p>\n

Die Malereien des Huldigungssaales im Rathhause zu Goslar. Mit Illustrationen und Lichtdrucktafeln<\/a> (p. 95)
\n\tBy Gustav Müller-Grote
\n\tReviewed by H.J. Anitschek<\/p>\n

Kunstkritische Studien über Italienische Malerei. Die Galerie zu Berlin. Nebst einem Lebensbilde Giovanni Morelli’s<\/a> (p. 95)
\n\tBy Ivan Lermolieff and Gustav Frizzoni
\n\tReviewed by W.V. Seidlitz<\/p>\n

Katalog der Königl. Gemäldegalerie zu Dresden<\/a> (p. 96)
\n\tBy Karl Woermann
\n\tReviewed by W.V. Seidlitz<\/p>\n

Quellenstudien zur holländischen Kunstgeschichte. Arnold Houbraken und seine “Groote Schonburgh”<\/a> (p. 96)
\n\tBy Corn. Hofsteede de Groot
\n\tReviewed by W. Bode<\/p>\n

Dürer’s Aufenthalt in Basel, 1492–1494. Mit 15 Text-Illustrationen und 50 Tafeln in Lichtdruck<\/a> (p. 97)
\n\tBy Daniel Burckhardt
\n\tReviewed by Alfr Schmid<\/p>\n

Albrecht Dürer’s venetianischer Aufenthalt 1494–1495<\/a> (pp. 97–98)
\n\tBy Gabriel von Terey
\n\tReviewed by Alf Schmid<\/p>\n

Albrecht Dürer. Mit Tafeln, und Illustrationen im Text<\/a> (p. 98)
\n\tBy Anton Springer
\n\tReviewed by F.F.L.<\/p>\n

Inigo Jones and Wren; Or, the Rise and Decline of Modern Architecture in England<\/a> (pp. 98–99)
\n\tBy W.J. Loftie<\/p>\n

Prehistoric Archaeology<\/h4>\n

The Evolution of Decorative Art<\/a> (p. 99)
\n\tBy Henry Balfour
\n\tReviewed by A.M.<\/p>\n

Archaeological News<\/a> (pp. 100–163)
\n\tA.L. Frothingham, Jr.<\/p>\n","protected":false},"author":4,"featured_media":9172,"template":"","meta":{"_acf_changed":false},"issues":[742],"class_list":["post-6682","issue","type-issue","status-publish","has-post-thumbnail","hentry","issues-ser1_91"],"acf":[],"yoast_head":"\nser1_9.1 | January–March 1894 (9.1) | American Journal of Archaeology<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/ajaonline.org\/toc\/ser191\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"ser1_9.1 | January–March 1894 (9.1) | American Journal of Archaeology\" \/>\n<meta property=\"og:description\" content=\"Volume 9 (1894) Index (pp. i–viii) The Madonnas of Luca Della Robbia (pp. 1–25) Allan Marquand Some Unwarranted Assumptions in Archaeology (pp. 26–31) Henry W. 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