{"id":884,"date":"2013-03-25T20:33:38","date_gmt":"2013-03-25T20:33:38","guid":{"rendered":"https:\/\/www.ajaonline.org\/2013\/03\/25\/1508\/"},"modified":"2024-08-13T03:46:19","modified_gmt":"2024-08-13T03:46:19","slug":"1508","status":"publish","type":"post","link":"https:\/\/ajaonline.org\/article\/1508\/","title":{"rendered":"Space, Sound, and Light: Toward a Sensory Experience of Ancient Monumental Architecture"},"content":{"rendered":"<p>Scale and symmetry in monumental architecture are embraced by archaeologists as the primary vocabulary in past statements of power. In ancient Mesopotamia in particular, the excessive size of public buildings implied the control of both space and people. The predictable, often symmetrical plans regulated and reflected control over users&rsquo; behavior. However, interpretations based on plans alone remain simplistic; analyses from ground level can better encompass the lived experience of a building&rsquo;s occupants or users. Close ground-level phenomenological analysis of movement through the Neo-Assyrian capital city of Khorsabad (constructed and inhabited 717&ndash;706 B.C.E.), particularly its citadel, indicates that manipulation of fields of view, interplay of light and shadow, and variations in sound were equally important means of conveying ideological messages.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Scale and symmetry in monumental architecture are embraced by archaeologists as the primary vocabulary in past statements of power. In ancient Mesopotamia in particular, the excessive size of public buildings implied the control of both space and people. The predictable, often symmetrical plans regulated and reflected control over users&rsquo; behavior. However, interpretations based on plans [&hellip;]<\/p>\n","protected":false},"author":4,"featured_media":883,"comment_status":"closed","ping_status":"","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[904],"tags":[10,43],"issues":[137],"region":[807],"class_list":["post-884","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-article","tag-architecture","tag-mesopotamian","issues-137","region-neareast"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.0 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Space, Sound, and Light: Toward a Sensory Experience of Ancient Monumental Architecture | April 2013 (117.2) | American Journal of Archaeology<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/ajaonline.org\/article\/1508\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Space, Sound, and Light: Toward a Sensory Experience of Ancient Monumental Architecture | April 2013 (117.2) | American Journal of Archaeology\" \/>\n<meta property=\"og:description\" content=\"Scale and symmetry in monumental architecture are embraced by archaeologists as the primary vocabulary in past statements of power. In ancient Mesopotamia in particular, the excessive size of public buildings implied the control of both space and people. The predictable, often symmetrical plans regulated and reflected control over users&rsquo; behavior. However, interpretations based on plans [&hellip;]\" \/>\n<meta property=\"og:url\" content=\"https:\/\/ajaonline.org\/article\/1508\/\" \/>\n<meta property=\"og:site_name\" content=\"American Journal of Archaeology\" \/>\n<meta property=\"article:publisher\" content=\"https:\/\/www.facebook.com\/aja.journal\" \/>\n<meta property=\"article:published_time\" content=\"2013-03-25T20:33:38+00:00\" \/>\n<meta property=\"article:modified_time\" content=\"2024-08-13T03:46:19+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/ajaonline.org\/wp-content\/uploads\/2013\/03\/1172_McMahon.jpg\" \/>\n\t<meta property=\"og:image:width\" content=\"800\" \/>\n\t<meta property=\"og:image:height\" content=\"530\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/jpeg\" \/>\n<meta name=\"author\" content=\"aja\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:label1\" content=\"Written by\" \/>\n\t<meta name=\"twitter:data1\" content=\"aja\" \/>\n\t<meta name=\"twitter:label2\" content=\"Est. reading time\" \/>\n\t<meta name=\"twitter:data2\" content=\"1 minute\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\/\/schema.org\",\"@graph\":[{\"@type\":\"Article\",\"@id\":\"https:\/\/ajaonline.org\/article\/1508\/#article\",\"isPartOf\":{\"@id\":\"https:\/\/ajaonline.org\/article\/1508\/\"},\"author\":{\"name\":\"aja\",\"@id\":\"https:\/\/ajaonline.org\/#\/schema\/person\/711697bfd0087a94589eecedb525bf52\"},\"headline\":\"Space, Sound, and Light: Toward a Sensory Experience of Ancient Monumental Architecture\",\"datePublished\":\"2013-03-25T20:33:38+00:00\",\"dateModified\":\"2024-08-13T03:46:19+00:00\",\"mainEntityOfPage\":{\"@id\":\"https:\/\/ajaonline.org\/article\/1508\/\"},\"wordCount\":136,\"publisher\":{\"@id\":\"https:\/\/ajaonline.org\/#organization\"},\"image\":{\"@id\":\"https:\/\/ajaonline.org\/article\/1508\/#primaryimage\"},\"thumbnailUrl\":\"https:\/\/ajaonline.org\/wp-content\/uploads\/2013\/03\/1172_McMahon.jpg\",\"keywords\":[\"Architecture\",\"Mesopotamian\"],\"articleSection\":[\"Article\"],\"inLanguage\":\"en-US\"},{\"@type\":\"WebPage\",\"@id\":\"https:\/\/ajaonline.org\/article\/1508\/\",\"url\":\"https:\/\/ajaonline.org\/article\/1508\/\",\"name\":\"Space, Sound, and Light: Toward a Sensory Experience of Ancient Monumental Architecture | April 2013 (117.2) | American Journal of Archaeology\",\"isPartOf\":{\"@id\":\"https:\/\/ajaonline.org\/#website\"},\"primaryImageOfPage\":{\"@id\":\"https:\/\/ajaonline.org\/article\/1508\/#primaryimage\"},\"image\":{\"@id\":\"https:\/\/ajaonline.org\/article\/1508\/#primaryimage\"},\"thumbnailUrl\":\"https:\/\/ajaonline.org\/wp-content\/uploads\/2013\/03\/1172_McMahon.jpg\",\"datePublished\":\"2013-03-25T20:33:38+00:00\",\"dateModified\":\"2024-08-13T03:46:19+00:00\",\"breadcrumb\":{\"@id\":\"https:\/\/ajaonline.org\/article\/1508\/#breadcrumb\"},\"inLanguage\":\"en-US\",\"potentialAction\":[{\"@type\":\"ReadAction\",\"target\":[\"https:\/\/ajaonline.org\/article\/1508\/\"]}]},{\"@type\":\"ImageObject\",\"inLanguage\":\"en-US\",\"@id\":\"https:\/\/ajaonline.org\/article\/1508\/#primaryimage\",\"url\":\"https:\/\/ajaonline.org\/wp-content\/uploads\/2013\/03\/1172_McMahon.jpg\",\"contentUrl\":\"https:\/\/ajaonline.org\/wp-content\/uploads\/2013\/03\/1172_McMahon.jpg\",\"width\":800,\"height\":530,\"caption\":\"Tunnel between the Nabu temple (right\u200a) and palace terrace (left\u200a), as preserved in the spring of 1989.\"},{\"@type\":\"BreadcrumbList\",\"@id\":\"https:\/\/ajaonline.org\/article\/1508\/#breadcrumb\",\"itemListElement\":[{\"@type\":\"ListItem\",\"position\":1,\"name\":\"Home\",\"item\":\"https:\/\/ajaonline.org\/\"},{\"@type\":\"ListItem\",\"position\":2,\"name\":\"Space, Sound, and Light: Toward a Sensory Experience of Ancient Monumental Architecture\"}]},{\"@type\":\"WebSite\",\"@id\":\"https:\/\/ajaonline.org\/#website\",\"url\":\"https:\/\/ajaonline.org\/\",\"name\":\"American Journal of Archaeology\",\"description\":\"\",\"publisher\":{\"@id\":\"https:\/\/ajaonline.org\/#organization\"},\"potentialAction\":[{\"@type\":\"SearchAction\",\"target\":{\"@type\":\"EntryPoint\",\"urlTemplate\":\"https:\/\/ajaonline.org\/?s={search_term_string}\"},\"query-input\":{\"@type\":\"PropertyValueSpecification\",\"valueRequired\":true,\"valueName\":\"search_term_string\"}}],\"inLanguage\":\"en-US\"},{\"@type\":\"Organization\",\"@id\":\"https:\/\/ajaonline.org\/#organization\",\"name\":\"American Journal of Archaeology\",\"url\":\"https:\/\/ajaonline.org\/\",\"logo\":{\"@type\":\"ImageObject\",\"inLanguage\":\"en-US\",\"@id\":\"https:\/\/ajaonline.org\/#\/schema\/logo\/image\/\",\"url\":\"https:\/\/ajaonline.org\/wp-content\/uploads\/2024\/10\/new-logo.svg\",\"contentUrl\":\"https:\/\/ajaonline.org\/wp-content\/uploads\/2024\/10\/new-logo.svg\",\"width\":383,\"height\":65,\"caption\":\"American Journal of Archaeology\"},\"image\":{\"@id\":\"https:\/\/ajaonline.org\/#\/schema\/logo\/image\/\"},\"sameAs\":[\"https:\/\/www.facebook.com\/aja.journal\"]},{\"@type\":\"Person\",\"@id\":\"https:\/\/ajaonline.org\/#\/schema\/person\/711697bfd0087a94589eecedb525bf52\",\"name\":\"aja\",\"image\":{\"@type\":\"ImageObject\",\"inLanguage\":\"en-US\",\"@id\":\"https:\/\/ajaonline.org\/#\/schema\/person\/image\/\",\"url\":\"https:\/\/secure.gravatar.com\/avatar\/5fd114eda02f0b494bee774e4322c6b2086f01df7fa9fd5b694ebe9918a9ac1d?s=96&d=mm&r=g\",\"contentUrl\":\"https:\/\/secure.gravatar.com\/avatar\/5fd114eda02f0b494bee774e4322c6b2086f01df7fa9fd5b694ebe9918a9ac1d?s=96&d=mm&r=g\",\"caption\":\"aja\"},\"url\":\"https:\/\/ajaonline.org\/author\/aja\/\"}]}<\/script>\n<!-- \/ Yoast SEO plugin. -->","yoast_head_json":{"title":"Space, Sound, and Light: Toward a Sensory Experience of Ancient Monumental Architecture | April 2013 (117.2) | American Journal of Archaeology","robots":{"index":"index","follow":"follow","max-snippet":"max-snippet:-1","max-image-preview":"max-image-preview:large","max-video-preview":"max-video-preview:-1"},"canonical":"https:\/\/ajaonline.org\/article\/1508\/","og_locale":"en_US","og_type":"article","og_title":"Space, Sound, and Light: Toward a Sensory Experience of Ancient Monumental Architecture | April 2013 (117.2) | American Journal of Archaeology","og_description":"Scale and symmetry in monumental architecture are embraced by archaeologists as the primary vocabulary in past statements of power. In ancient Mesopotamia in particular, the excessive size of public buildings implied the control of both space and people. The predictable, often symmetrical plans regulated and reflected control over users&rsquo; behavior. However, interpretations based on plans [&hellip;]","og_url":"https:\/\/ajaonline.org\/article\/1508\/","og_site_name":"American Journal of Archaeology","article_publisher":"https:\/\/www.facebook.com\/aja.journal","article_published_time":"2013-03-25T20:33:38+00:00","article_modified_time":"2024-08-13T03:46:19+00:00","og_image":[{"width":800,"height":530,"url":"https:\/\/ajaonline.org\/wp-content\/uploads\/2013\/03\/1172_McMahon.jpg","type":"image\/jpeg"}],"author":"aja","twitter_card":"summary_large_image","twitter_misc":{"Written by":"aja","Est. reading time":"1 minute"},"schema":{"@context":"https:\/\/schema.org","@graph":[{"@type":"Article","@id":"https:\/\/ajaonline.org\/article\/1508\/#article","isPartOf":{"@id":"https:\/\/ajaonline.org\/article\/1508\/"},"author":{"name":"aja","@id":"https:\/\/ajaonline.org\/#\/schema\/person\/711697bfd0087a94589eecedb525bf52"},"headline":"Space, Sound, and Light: Toward a Sensory Experience of Ancient Monumental Architecture","datePublished":"2013-03-25T20:33:38+00:00","dateModified":"2024-08-13T03:46:19+00:00","mainEntityOfPage":{"@id":"https:\/\/ajaonline.org\/article\/1508\/"},"wordCount":136,"publisher":{"@id":"https:\/\/ajaonline.org\/#organization"},"image":{"@id":"https:\/\/ajaonline.org\/article\/1508\/#primaryimage"},"thumbnailUrl":"https:\/\/ajaonline.org\/wp-content\/uploads\/2013\/03\/1172_McMahon.jpg","keywords":["Architecture","Mesopotamian"],"articleSection":["Article"],"inLanguage":"en-US"},{"@type":"WebPage","@id":"https:\/\/ajaonline.org\/article\/1508\/","url":"https:\/\/ajaonline.org\/article\/1508\/","name":"Space, Sound, and Light: Toward a Sensory Experience of Ancient Monumental Architecture | April 2013 (117.2) | American Journal of Archaeology","isPartOf":{"@id":"https:\/\/ajaonline.org\/#website"},"primaryImageOfPage":{"@id":"https:\/\/ajaonline.org\/article\/1508\/#primaryimage"},"image":{"@id":"https:\/\/ajaonline.org\/article\/1508\/#primaryimage"},"thumbnailUrl":"https:\/\/ajaonline.org\/wp-content\/uploads\/2013\/03\/1172_McMahon.jpg","datePublished":"2013-03-25T20:33:38+00:00","dateModified":"2024-08-13T03:46:19+00:00","breadcrumb":{"@id":"https:\/\/ajaonline.org\/article\/1508\/#breadcrumb"},"inLanguage":"en-US","potentialAction":[{"@type":"ReadAction","target":["https:\/\/ajaonline.org\/article\/1508\/"]}]},{"@type":"ImageObject","inLanguage":"en-US","@id":"https:\/\/ajaonline.org\/article\/1508\/#primaryimage","url":"https:\/\/ajaonline.org\/wp-content\/uploads\/2013\/03\/1172_McMahon.jpg","contentUrl":"https:\/\/ajaonline.org\/wp-content\/uploads\/2013\/03\/1172_McMahon.jpg","width":800,"height":530,"caption":"Tunnel between the Nabu temple (right\u200a) and palace terrace (left\u200a), as preserved in the spring of 1989."},{"@type":"BreadcrumbList","@id":"https:\/\/ajaonline.org\/article\/1508\/#breadcrumb","itemListElement":[{"@type":"ListItem","position":1,"name":"Home","item":"https:\/\/ajaonline.org\/"},{"@type":"ListItem","position":2,"name":"Space, Sound, and Light: Toward a Sensory Experience of Ancient Monumental Architecture"}]},{"@type":"WebSite","@id":"https:\/\/ajaonline.org\/#website","url":"https:\/\/ajaonline.org\/","name":"American Journal of Archaeology","description":"","publisher":{"@id":"https:\/\/ajaonline.org\/#organization"},"potentialAction":[{"@type":"SearchAction","target":{"@type":"EntryPoint","urlTemplate":"https:\/\/ajaonline.org\/?s={search_term_string}"},"query-input":{"@type":"PropertyValueSpecification","valueRequired":true,"valueName":"search_term_string"}}],"inLanguage":"en-US"},{"@type":"Organization","@id":"https:\/\/ajaonline.org\/#organization","name":"American Journal of Archaeology","url":"https:\/\/ajaonline.org\/","logo":{"@type":"ImageObject","inLanguage":"en-US","@id":"https:\/\/ajaonline.org\/#\/schema\/logo\/image\/","url":"https:\/\/ajaonline.org\/wp-content\/uploads\/2024\/10\/new-logo.svg","contentUrl":"https:\/\/ajaonline.org\/wp-content\/uploads\/2024\/10\/new-logo.svg","width":383,"height":65,"caption":"American Journal of Archaeology"},"image":{"@id":"https:\/\/ajaonline.org\/#\/schema\/logo\/image\/"},"sameAs":["https:\/\/www.facebook.com\/aja.journal"]},{"@type":"Person","@id":"https:\/\/ajaonline.org\/#\/schema\/person\/711697bfd0087a94589eecedb525bf52","name":"aja","image":{"@type":"ImageObject","inLanguage":"en-US","@id":"https:\/\/ajaonline.org\/#\/schema\/person\/image\/","url":"https:\/\/secure.gravatar.com\/avatar\/5fd114eda02f0b494bee774e4322c6b2086f01df7fa9fd5b694ebe9918a9ac1d?s=96&d=mm&r=g","contentUrl":"https:\/\/secure.gravatar.com\/avatar\/5fd114eda02f0b494bee774e4322c6b2086f01df7fa9fd5b694ebe9918a9ac1d?s=96&d=mm&r=g","caption":"aja"},"url":"https:\/\/ajaonline.org\/author\/aja\/"}]}},"_links":{"self":[{"href":"https:\/\/ajaonline.org\/wp-json\/wp\/v2\/posts\/884","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/ajaonline.org\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/ajaonline.org\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/ajaonline.org\/wp-json\/wp\/v2\/users\/4"}],"replies":[{"embeddable":true,"href":"https:\/\/ajaonline.org\/wp-json\/wp\/v2\/comments?post=884"}],"version-history":[{"count":1,"href":"https:\/\/ajaonline.org\/wp-json\/wp\/v2\/posts\/884\/revisions"}],"predecessor-version":[{"id":7433,"href":"https:\/\/ajaonline.org\/wp-json\/wp\/v2\/posts\/884\/revisions\/7433"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/ajaonline.org\/wp-json\/wp\/v2\/media\/883"}],"wp:attachment":[{"href":"https:\/\/ajaonline.org\/wp-json\/wp\/v2\/media?parent=884"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/ajaonline.org\/wp-json\/wp\/v2\/categories?post=884"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/ajaonline.org\/wp-json\/wp\/v2\/tags?post=884"},{"taxonomy":"issues","embeddable":true,"href":"https:\/\/ajaonline.org\/wp-json\/wp\/v2\/issues?post=884"},{"taxonomy":"region","embeddable":true,"href":"https:\/\/ajaonline.org\/wp-json\/wp\/v2\/region?post=884"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}