{"id":93,"date":"2005-01-01T12:42:00","date_gmt":"2005-01-01T12:42:00","guid":{"rendered":"https:\/\/www.ajaonline.org\/2005\/01\/01\/90\/"},"modified":"2025-04-11T17:53:54","modified_gmt":"2025-04-11T21:53:54","slug":"90","status":"publish","type":"post","link":"https:\/\/ajaonline.org\/article\/90\/","title":{"rendered":"The Parthians in Augustan Rome"},"content":{"rendered":"\n<p>This article considers the conception and commemoration of foreigners, especially Parthians, as diagrammed in the triumphal imagery of Augustan Rome. The interaction of Trojan and Parthian iconography during the Augustan period is analyzed, as is the new attitude toward the representation of foreigners that developed in Rome during the early Empire, when barbarians were presented as contributors to peace rather than its opponents. The focus is the general topographical context of the Parthian Arch on the east side of the Roman Forum, but the article also includes new iconographic readings of the Primaporta cuirass, the Ara Pacis, the Basilica Aemilia Parthians, and the altar from the Vicus Sandaliarius, as well as triumphal monuments in Athens, Corinth, and Antioch-in-Pisidia. The cuirassed figure facing the Parthian on the Primaporta breastplate is identified as Roma, and the Eastern woman and child on the south frieze of the Ara Pacis are linked to the Parthian royal family resident in Rome during the Augustan period. A triumphal arch celebrating Gaius Caesar\u2019s success over the Parthians is reconstructed between the Basilica Aemilia and the temple of Divus Julius, and its decoration was clearly designed to complement that of the adjacent Parthian Arch and the Temple of the Dioscuri. The imagery on the eastern side of the Roman Forum can be read as a program outlining the Julian dynasty\u2019s involvement with the Parthians, and suggesting that the East had finally been domesticated.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>This article considers the conception and commemoration of foreigners, especially Parthians, as diagrammed in the triumphal imagery of Augustan Rome. The interaction of Trojan and Parthian iconography during the Augustan period is analyzed, as is the new attitude toward the representation of foreigners that developed in Rome during the early Empire, when barbarians were presented [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":92,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[904],"tags":[5,15],"issues":[102],"region":[872],"class_list":["post-93","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-article","tag-iconography","tag-culturalinteraction","issues-102","region-italy-rome"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.0 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>The Parthians in Augustan Rome | January 2005 (109.1) | American Journal of Archaeology<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/ajaonline.org\/article\/90\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"The Parthians in Augustan Rome | January 2005 (109.1) | American Journal of Archaeology\" \/>\n<meta property=\"og:description\" content=\"This article considers the conception and commemoration of foreigners, especially Parthians, as diagrammed in the triumphal imagery of Augustan Rome. 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