{"version":"1.0","provider_name":"American Journal of Archaeology","provider_url":"https:\/\/ajaonline.org","author_name":"website","author_url":"https:\/\/ajaonline.org\/author\/website\/","title":"Studien zur Musikarch\u00e4ologie 4. Papers from the Third Symposium of the International Study Group on Music Archaeology at Monastery Michaelstein, 9\u201316 June, 2002, and Other Contributions | October 2006 (110.4) | American Journal of Archaeology","type":"rich","width":600,"height":338,"html":"<blockquote class=\"wp-embedded-content\" data-secret=\"cZ1PVQxyR7\"><a href=\"https:\/\/ajaonline.org\/book-review\/465\/\">Studien zur Musikarch\u00e4ologie 4. Papers from the Third Symposium of the International Study Group on Music Archaeology at Monastery Michaelstein, 9\u201316 June, 2002, and Other Contributions<\/a><\/blockquote><iframe sandbox=\"allow-scripts\" security=\"restricted\" src=\"https:\/\/ajaonline.org\/book-review\/465\/embed\/#?secret=cZ1PVQxyR7\" width=\"600\" height=\"338\" title=\"&#8220;Studien zur Musikarch\u00e4ologie 4. Papers from the Third Symposium of the International Study Group on Music Archaeology at Monastery Michaelstein, 9\u201316 June, 2002, and Other Contributions&#8221; &#8212; American Journal of Archaeology\" data-secret=\"cZ1PVQxyR7\" frameborder=\"0\" marginwidth=\"0\" marginheight=\"0\" scrolling=\"no\" class=\"wp-embedded-content\"><\/iframe><script>\n\/*! This file is auto-generated *\/\n!function(d,l){\"use strict\";l.querySelector&&d.addEventListener&&\"undefined\"!=typeof URL&&(d.wp=d.wp||{},d.wp.receiveEmbedMessage||(d.wp.receiveEmbedMessage=function(e){var t=e.data;if((t||t.secret||t.message||t.value)&&!\/[^a-zA-Z0-9]\/.test(t.secret)){for(var s,r,n,a=l.querySelectorAll('iframe[data-secret=\"'+t.secret+'\"]'),o=l.querySelectorAll('blockquote[data-secret=\"'+t.secret+'\"]'),c=new RegExp(\"^https?:$\",\"i\"),i=0;i<o.length;i++)o[i].style.display=\"none\";for(i=0;i<a.length;i++)s=a[i],e.source===s.contentWindow&&(s.removeAttribute(\"style\"),\"height\"===t.message?(1e3<(r=parseInt(t.value,10))?r=1e3:~~r<200&&(r=200),s.height=r):\"link\"===t.message&&(r=new URL(s.getAttribute(\"src\")),n=new URL(t.value),c.test(n.protocol))&&n.host===r.host&&l.activeElement===s&&(d.top.location.href=t.value))}},d.addEventListener(\"message\",d.wp.receiveEmbedMessage,!1),l.addEventListener(\"DOMContentLoaded\",function(){for(var e,t,s=l.querySelectorAll(\"iframe.wp-embedded-content\"),r=0;r<s.length;r++)(t=(e=s[r]).getAttribute(\"data-secret\"))||(t=Math.random().toString(36).substring(2,12),e.src+=\"#?secret=\"+t,e.setAttribute(\"data-secret\",t)),e.contentWindow.postMessage({message:\"ready\",secret:t},\"*\")},!1)))}(window,document);\n\/\/# sourceURL=https:\/\/ajaonline.org\/wp-includes\/js\/wp-embed.min.js\n<\/script>\n","description":"Created to provide a much-needed venue for findings in the growing field of music archaeology, Studien zur Musikarch&auml;ologie consists primarily of papers originally delivered at meetings of the International Study Group on Music Archaeology. The first two volumes in the series, both published in 2000, concentrate respectively on stringed instruments and on music of the [&hellip;]"}