{"version":"1.0","provider_name":"American Journal of Archaeology","provider_url":"https:\/\/ajaonline.org","author_name":"website","author_url":"https:\/\/ajaonline.org\/author\/website\/","title":"Klazomenian Sarcophagi in the Borderlands: An Ionian (Re)Vision | July 2025 (129.3) | American Journal of Archaeology","type":"rich","width":600,"height":338,"html":"<blockquote class=\"wp-embedded-content\" data-secret=\"HuZCBQfGpE\"><a href=\"https:\/\/ajaonline.org\/article\/klazomenian-sarcophagi-in-the-borderlands-an-ionian-revision\/\">Klazomenian Sarcophagi in the Borderlands: An Ionian (Re)Vision<\/a><\/blockquote><iframe sandbox=\"allow-scripts\" security=\"restricted\" src=\"https:\/\/ajaonline.org\/article\/klazomenian-sarcophagi-in-the-borderlands-an-ionian-revision\/embed\/#?secret=HuZCBQfGpE\" width=\"600\" height=\"338\" title=\"&#8220;Klazomenian Sarcophagi in the Borderlands: An Ionian (Re)Vision&#8221; &#8212; American Journal of Archaeology\" data-secret=\"HuZCBQfGpE\" frameborder=\"0\" marginwidth=\"0\" marginheight=\"0\" scrolling=\"no\" class=\"wp-embedded-content\"><\/iframe><script>\n\/*! This file is auto-generated *\/\n!function(d,l){\"use strict\";l.querySelector&&d.addEventListener&&\"undefined\"!=typeof URL&&(d.wp=d.wp||{},d.wp.receiveEmbedMessage||(d.wp.receiveEmbedMessage=function(e){var t=e.data;if((t||t.secret||t.message||t.value)&&!\/[^a-zA-Z0-9]\/.test(t.secret)){for(var s,r,n,a=l.querySelectorAll('iframe[data-secret=\"'+t.secret+'\"]'),o=l.querySelectorAll('blockquote[data-secret=\"'+t.secret+'\"]'),c=new RegExp(\"^https?:$\",\"i\"),i=0;i<o.length;i++)o[i].style.display=\"none\";for(i=0;i<a.length;i++)s=a[i],e.source===s.contentWindow&&(s.removeAttribute(\"style\"),\"height\"===t.message?(1e3<(r=parseInt(t.value,10))?r=1e3:~~r<200&&(r=200),s.height=r):\"link\"===t.message&&(r=new URL(s.getAttribute(\"src\")),n=new URL(t.value),c.test(n.protocol))&&n.host===r.host&&l.activeElement===s&&(d.top.location.href=t.value))}},d.addEventListener(\"message\",d.wp.receiveEmbedMessage,!1),l.addEventListener(\"DOMContentLoaded\",function(){for(var e,t,s=l.querySelectorAll(\"iframe.wp-embedded-content\"),r=0;r<s.length;r++)(t=(e=s[r]).getAttribute(\"data-secret\"))||(t=Math.random().toString(36).substring(2,12),e.src+=\"#?secret=\"+t,e.setAttribute(\"data-secret\",t)),e.contentWindow.postMessage({message:\"ready\",secret:t},\"*\")},!1)))}(window,document);\n\/\/# sourceURL=https:\/\/ajaonline.org\/wp-includes\/js\/wp-embed.min.js\n<\/script>\n","thumbnail_url":"https:\/\/ajaonline.org\/wp-content\/uploads\/2025\/06\/Rodriguez.jpg","thumbnail_width":1000,"thumbnail_height":1000,"description":"The painted terracotta sarcophagi of Klazomenai (ca. 650\u2013450 BCE) are monuments that speak to a confluence of cultural and artistic interactions in Ionia and western Anatolia, yet the history of scholarship of these funerary objects has often been limited to connoisseurship studies that narrowly situate the sarcophagi within a tradition of mainland Greek vase painting. [&hellip;]"}