{"version":"1.0","provider_name":"American Journal of Archaeology","provider_url":"https:\/\/ajaonline.org","author_name":"aja","author_url":"https:\/\/ajaonline.org\/author\/aja\/","title":"Scolpire il marmo: Importazioni, artisti itineranti, scuole artistiche nel Mediterraneo antico. Atti del convegno di studio tenuto a Pisa Scuola normale Superiore, 9\u201311 novembre 2009 | January 2013 (117.1) | American Journal of Archaeology","type":"rich","width":600,"height":338,"html":"<blockquote class=\"wp-embedded-content\" data-secret=\"eT2RQOgNo0\"><a href=\"https:\/\/ajaonline.org\/book-review\/1484\/\">Scolpire il marmo: Importazioni, artisti itineranti, scuole artistiche nel Mediterraneo antico. Atti del convegno di studio tenuto a Pisa Scuola normale Superiore, 9\u201311 novembre 2009<\/a><\/blockquote><iframe sandbox=\"allow-scripts\" security=\"restricted\" src=\"https:\/\/ajaonline.org\/book-review\/1484\/embed\/#?secret=eT2RQOgNo0\" width=\"600\" height=\"338\" title=\"&#8220;Scolpire il marmo: Importazioni, artisti itineranti, scuole artistiche nel Mediterraneo antico. Atti del convegno di studio tenuto a Pisa Scuola normale Superiore, 9\u201311 novembre 2009&#8221; &#8212; American Journal of Archaeology\" data-secret=\"eT2RQOgNo0\" frameborder=\"0\" marginwidth=\"0\" marginheight=\"0\" scrolling=\"no\" class=\"wp-embedded-content\"><\/iframe><script>\n\/*! This file is auto-generated *\/\n!function(d,l){\"use strict\";l.querySelector&&d.addEventListener&&\"undefined\"!=typeof URL&&(d.wp=d.wp||{},d.wp.receiveEmbedMessage||(d.wp.receiveEmbedMessage=function(e){var t=e.data;if((t||t.secret||t.message||t.value)&&!\/[^a-zA-Z0-9]\/.test(t.secret)){for(var s,r,n,a=l.querySelectorAll('iframe[data-secret=\"'+t.secret+'\"]'),o=l.querySelectorAll('blockquote[data-secret=\"'+t.secret+'\"]'),c=new RegExp(\"^https?:$\",\"i\"),i=0;i<o.length;i++)o[i].style.display=\"none\";for(i=0;i<a.length;i++)s=a[i],e.source===s.contentWindow&&(s.removeAttribute(\"style\"),\"height\"===t.message?(1e3<(r=parseInt(t.value,10))?r=1e3:~~r<200&&(r=200),s.height=r):\"link\"===t.message&&(r=new URL(s.getAttribute(\"src\")),n=new URL(t.value),c.test(n.protocol))&&n.host===r.host&&l.activeElement===s&&(d.top.location.href=t.value))}},d.addEventListener(\"message\",d.wp.receiveEmbedMessage,!1),l.addEventListener(\"DOMContentLoaded\",function(){for(var e,t,s=l.querySelectorAll(\"iframe.wp-embedded-content\"),r=0;r<s.length;r++)(t=(e=s[r]).getAttribute(\"data-secret\"))||(t=Math.random().toString(36).substring(2,12),e.src+=\"#?secret=\"+t,e.setAttribute(\"data-secret\",t)),e.contentWindow.postMessage({message:\"ready\",secret:t},\"*\")},!1)))}(window,document);\n\/\/# sourceURL=https:\/\/ajaonline.org\/wp-includes\/js\/wp-embed.min.js\n<\/script>\n","description":"This volume presents most of the papers delivered at a conference on marble sculpture imports, itinerant artists, and artistic schools in the Mediterranean that took place at the Scuola Normale Superiore di Pisa in November 2009. One of highest priorities was to integrate marble sculpture of the Archaic and Classical periods found in Magna Graecia&mdash;here [&hellip;]"}